What a Difference a Year Makes!
BY CYNDI GREENING, ARIZONA, USA – Today, we finished editing the Trailer for BAD TIMING, the Zambian feature film. We finished the Documentary Trailer early in the week. Sometimes, it seems like we've been working on these films forever. Yesterday, I started thinking about when and how this all got started. Of course, it all started with Jabbes Mvula. The conversation started in January with a request for a camera, but by mid-March, we were searching for the means to take a small production crew. I was going through old emails and found that it was a year ago, almost to the day, that I applied for an Innovative Project Grant to fund the flights for a six-person crew to Zambia.
Jabbes wanted to return to his home country to shoot the FIRST Zambian cast full-length, dramatic narrative feature film ever. He wanted to strengthen the film industry in Zambia. We all hoped to share our skills and experience with aspiring Zambian filmmakers. And, most importantly, we wanted to get an authentic, contemporary Zambian story into the global cinema. So, a year ago at this time, I was hoping to go to Zambia, making plans to maybe go to Zambia, but it sure seemed like one heckuva long shot. I was reading everything I could find on Zambia, just in case.
Further research in my email archive revealed that the grant announcment was made on May 2nd. Holy cow, May 2nd. With that announcement, we knew that a six-person crew could go but, by that point, we had 18 students who wanted to spend an unpaid work experience month in Africa helping to shoot the feature (and companion documentary). We pushed our shoot date back to give ourselves more time for fundraising. To be honest, last summer was just a blur. And yet, the pace of the summer seems GLACIAL in comparison to how quickly the time passed in Zambia. That month simply evaporated.
When we got back, time played a gruesome trick. It slowed down to a crawl and then seemed to stop altogether. It seemed to take a Herculean effort to move things the tiniest amount. I guess it took a bit to bounce back. Now, I'm happy to report, time is moving forward again at a normal pace. There are times I can't believe we ever went to Zambia. Then I look at the footage and I go flying back in time. Jeniece says the same thing happens to her. I'm hoping that we can create that sense of immediacy for the audience. That they can have half the fun we did and laugh as easily (and as often.) Stay tuned! Soon you'll be able to decide for yourself.
NATE: "Well I’m still here working for the same company and still learning all the little quirks that there are to know. Within the year, I’ve been named employee of the month, ran the shop on my own for about a week and still get everything done, I’ve done my first professional design for a company's mural display. I was given a substantial raise recently because of the work I do and my work ethic. And I'm getting color matching certified. That's exciting. I just wanted to drop you a line and give you a little update on what’s going on here. Also so I just want to say thank you. Thank you for making the choice to be a teacher and sharing your knowledge."
The five ways people “solve” problems …
That’s his second book, she says, The People of the Lie. People who refuse to change or handle their problems and blame other people for what doesn’t work in their lives. She always has an answer to everything to support her theories. I think producers are like that. Or teachers, maybe. I am going to put on my headphones so I don’t have to listen to her elaborate on this anymore. Or I’ll be having a problem getting my editing done on time!
BY PAMELA JO BOWMAN - MESA ARIZONA - We are in the editing process. We spend all day, every day (and some nights and weekends) editing these two films. Everything takes longer than I think it should. I believe it keeps getting stronger each day. We put it to bed at night and in the morning we recognize new ways to go back and tighten it . Sometimes taking a “film break” can be another way to discover answers to film editing situations. This month I spent time watching how other editors edit their films. I “sacrificed” some time and accompanied my husband to 4 movies. One historical drama, one coming of age movie, one love story and one I can’t even remember. I looked it up and it would be better to forget that I spent money on it. Oh the sacrifices we make to hone our craft!

They were so far out in front of everyone else on this one! At Sundance this year, we went to several workshops at the House of Docs. Cara Mertes was talking about how popular documentary films have become and how Sundance is supporting the surging interest. Now, don't get me wrong, docs have always been supported and popular at Sundance but, in the early days, it felt more like the rest of the festival supported the docs. Now, the docs are holding their own and even surpassing the features in some instances.
Anyone have a brain scratcher? Knitting needles? Really long q-tips? So the allergy medicines are purchased and I am back on my bike riding to work. Today I made Cyndi take a break and go outside just to sit in the sunshine. We can only stare at those monitors for so long. I keep going over to the Lakes' pool before work, during work, after work. It’s not like watching exercise gurus on T.V. I actually swim while I am there! The exercise is invigorating and motivates me to get my work done so I can go play some more. The truth is that I feel like I am playing when I work, but looking out of the office window at the beckoning sunshine is … just … well … more than this girl can take!
BY CYNDI GREENING, ARIZONA, USA — I attended the SXSW Film Festival for the first time last year. I had never been to Austin, Texas (and if I ever spoke of going to Texas, I generally had something fairly disparaging to say about the state) so I was totally shocked at how much I liked the city. Since I'm such a Sundance aficionado, I was even more surprised about how much I loved the festival. Of course I love the films at festivals but there TWO other things that make ache to attend them. First, I adore the panel discussions. The latest trends and current production methods are discussed by industry professionals. These discussions create the second incredibly valuable thing about festivals — access. All filmmaking is about getting connected to the "right" people, the people who can fund your film, star in your film, distribute your film. At the festivals, these normally well-insulated, virtually invisible people become very approachable. There are hundreds of film success stories that start at one festival or another.