Voice of an African Nation

BY PAMELA JO BOWMAN, MESA, ARIZONA — I have tried, unsuccessfully, to get the feature film’s name, BAD TIMING changed to something else … anything else. I have been overruled. From the very beginning of pre-production, this film has lived up to its name. There should be a documentary about how much bad timing we endured, oh wait there is!

We officially sent off the application for a MAJOR film festival this week. We both sat down and answered the questions. There was a heated discussion on the film synopsis, another heated discussion about how many actors to list, even a heated discussion on how to ship it overseas. However, the MOST a heated discussion about the title!

It feels wonderful to send this movie to Cannes for consideration. We are really pleased with how it turned out. We are happy with the performances of the cast and the excellent work of the crew. We are proud to have produced the first full-length, dramatic narrative feature film based on an award-winning stage play by a Zambian, directed by a Zambian and acted by an all-Zambian cast. It turned out amazingly well for a first production. The passion and commitment of everyone involved is evident in the quality of the final film. I believe it reflects their culture and they will be excited to see it. We know there are 11 million people who will want to see this film! It is THEIR story, their voice, their culture. That is pretty amazing.

So now if I could just get that name changed! Would love some persuasive assistance on this one and perhaps a suggestion or two. I’m all about recognizing the problem, but more committed to solving it. New name, how about HEART OF AFRICA? I like it, but it has been vetoed by the powers that be. Oh, I see it now. Here comes another heated discussion!

Posted by Cyndi Greening at 12:28 AM | Permalink

BY PAMELA JO BOWMAN - MESA ARIZONA — We spent most of the summer preparing for a legal hearing. To pacify my mind, I began working on a production reel to remind myself why we chose to do all we did for the Zambia project. The following is still a work in progress. It continues to be a driving force as we try to produce a work of art for others and ourselves.

The Zambian project was, for me, one of the most life altering experiences I have ever encountered. I believe the crew members were motivated by much, much more than what they might benefit personally. We worked together and accomplished more than if we had worked alone. That in itself was a life lesson. I hope you can hear the voices of the many people who made this project what it was in "Hallelujah".

• Hallelujah (16 mb, large)
• Hallelujah (3 mb, small)
• Hallelujah (150 mb, v.large)

Posted by Cyndi Greening at 12:43 AM | Permalink

BY PAMELA JO BOWMAN, MESA ARIZONA - One of our goals with the Zambia project was to create the possibility of the film industry in Zambia. Upon our return those in the “business” remarked to us how ambitious our goal really was. Of course, in retrospect, our naivete allowed us to believe in our goal and us.

We have been back for over a year. Since then three more films have been made in Zambia. People write to us asking for our advice for future projects. Others have asked us to sign on as producers for their African projects. So we continue to have a personal and professional interest in the region.

Those who follow global news are well aware of the continued upheaval in the African Nations. It is my opinion that many are using the differences that exist within Africa to divide and conquer. They continue to be successful as more refugees flee to “safe” country's or die at the hands of their fellow countrymen. As refugees flood the economy of these countries it creates more tension and more division. Eventually “safe” countries start to drown as more people saturate the countries ability to sustain themselves and the process repeats itself.

Our goal was to unify, educate and promote business within Africa by Africans. We met many who were willing, able and anxious for any opportunity. My advice to the friends I made there is to be careful with who you shake hands. Realize that many who are investing in your country are not investing in your people.

Posted by Cyndi Greening at 12:37 AM | Permalink

BY PAMELA JO BOWMAN, ARIZONA, USA — There are many lessons I have learned and some I continue to learn from my experience working on the FilmZambia project. The number one lesson? Always use Other People's Money (OPM), preferably a studio's money or a distributor's money. What I am still trying to learn is how to get that money.

Of course there are a few exceptions that encourage filmmakers to believe they will be a member of a rare and elite club. The successful self-financed film members include Morgan Spurlock (SUPERSIZE ME), Kevin Smith (CLERKS), and Robert Townsend (HOLLYWOOD SHUFFLE). These exceptions tease and titillate filmmakers. The truth is, is every filmmaker believes in "his or her story."

Their story, their cinematography, their editing, their actors. They believe every element will help produce a successful piece of art. With that belief, they are bound and determined to get the money from whomever they talk to including their families, their friends and even ... themselves! There are THOUSANDS of filmmakers who follow that film-financing path into a very dark tunnel. If a distributor or producer gets behind your film, chances are that they see an opportunity for financial success. The problem? First-time filmmakers can be quite naive. They are in it for the art. Yes, they want to make their movie, and they want to earn enough money to buy ... more equipment to make another movie. Eventually they begin to understand that there is a business involved in the art of filmmaking and everyone has to eat food, sleep in a safe place, and buy and use TIDE.

It is hard to accept the experience and decision of the money people when they say "no" to your brilliant story. In our case, it was even more difficult. We were students. It's impossible to get distributors to fund educational projects ahead of time. They want to see the finished product to know if the story hangs together because, well, let's be honest, it's students learning by doing. They're cautious about giving money to that sort of thing. Especially if it is the very first of "that sort of thing."

So, how did Cyndi end up in the rabbit hole that she did? Did she not preach and teach all of her students to avoid this very hole? This is what she said, "Surely I know the rule about OPM. If there's anyone who knows this rule, it is me. When I told my filmmaking nephew that I was well over $80,000 on these two films and was probably going to go over $100,000 by the time they were done, I thought he was going to have a stroke. 'Are you out of your mind?' Jason gasped. 'You used your money? Is that why you sold your house?' he asked." Didn't really answer the question did it? To be honest, it was a bit complicated. Hey Cyn! This would make a great movie!

Well, there's nothing like being called on the carpet by someone half your age. And, if Cyndi wasn't feeling embarrassed before Jason started lecturing her, she surely got there after I put together this little piece.

• Cyndi's Houses (quicktime)
• Cyndi's Houses (swf)

Don't shoot the messenger! She sat and watched this and started to laugh. She actually has gotten to the point of being amused by her exuberance for the film. I mean to shout, "What are her alternatives?!!" Believe me she has shed plenty of tears. She cries like a giraffe. There is no sound! How very odd. In the middle of the day, I will turn to her work station and find tears rolling down those cheeks! Her motto now is, "If you decide it's a good idea to go to Africa to make two films (and encourage 18 faculty and students to come with you for the learning experience of a lifetime), make sure the OPM you get is waaaaay more than a small educational grant that only covers the flight for about a third of the crew. Unless you don't care if anyone ever actually sees the films that you made.."

If there is anyone who wants to invest in two middle-aged women with bright ideas, tons of ambition and enough energy to get the job done, well get in line or get out of our way. We are comin' through. Thought I might try a unique approach to funding. Is it working for you?

Posted by Cyndi Greening at 12:50 AM | Permalink

BY PAMELA BOWMAN, MESA, USA – We have distracted ourselves lately by writing. That is really what we want to do, write. So today we took a field trip to Sacaton. We visited with people who live on the reservation. We asked them questions about their lives and their perspective on reservation life. We visited the library. We read histories and legend books and scientific research on land development and water resources.

It was an interesting day as we were able to discuss one of the many stories we are working on. We discussed the characters in our story. Learning about reservation life in 2007 is completely different than what I imagined it would be. My frame of reference has been movies like DANCES WITH WOLVES and THE LAST OF THE MOHICANS. As a child I loved watching John Wayne movies on Dialing for Dollars. I have always loved the "Cowboy and Indian" movies. Today's excursion made me realize how those movies tried to capture many cultures and traditions that in most cases don't even exist anymore and probably never existed then. My romantic notions of Indian life has been altered to reflect the reality of reservation life. They are not the mysterious strong independent people I had imagined. No, it is worse, they are human just like me. They have problems and issues and concerns, just like us.

We appreciated the candor and the honesty of which they spoke to us. Montana Sunrising enlightened us on many aspects of Indian life here and in more obscure locations. The librarians were helpful in locating books of our subject matter. Our minds are working and we are anxious to finish our first screen play. We are also anxious to finish the other 20 stories on our slate.

We returned and shared our experience with our friends and my family. Distractions. Sometimes they benefit us when the alternative is immobility. Sometimes distractions enable us to see more clearly what needs to be done, how to do and then gathering the strength to do it. We are clear. We are ready. Our best work is yet to come as we document our experiences and write our stories. The ones who continue to benefit the most, of course, is us.

Posted by Pamela at 11:23 PM | Permalink

BY PAMELA BOWMAN, MANHATTAN, USA – She went into teacher mode before we even arrived at the museum. I had to tease her and asked if there would be a quiz at the end of the field trip! She wasn’t sure if I was serious until she saw me trying to hide my smile. “My apologies. It’s just that I want to suggest how you might want to look at the work as we … blah, blah, blah.” How she rambles!

To sustain ourselves, we bought an ice cream before we entered the museum. Good thing, because I needed that Ben and Jerry! That museum is HUGE!!

We began in the Renaissance area. Now, in all fairness I have taken art history classes. Cyndi calls them “Art in the Dark.” I called it almost flunking my first college course in my senior year! So I am wandering around looking at the artwork that I had studied and I immediately realized that it would have been much more impactful, memorable and understandable for me to have visited the Met for my class. I would have been able to see how artists, their skills and styles evolved through the centuries. It was enlightening to see how (and when) artists discovered how to represent perspective, human form, texture, light and atmosphere.

Sometimes, in seeing the work of these great artists I realized many of their pieces were just practice works or efforts at honing their craft. Each time we entered a new room, I noticed that I would be immediately drawn to a painting or sculpture or mural because I could “read” the story in the eyes of the subject. The posture of the body, the placement of hand or the attire of the subject would make me see what the artist was trying to evoke. It was amazing and inspiring.

Having my own personal tour guide did not hurt, except my feet! We ended in the Asian wing. I have always loved Japanese art. I am drawn to its simplicity and its complexity. It was a very peaceful and joyous way to end my tour.

And yes there was a full blown verbal test that afternoon. As we walked down Central Park East and through the streets of New York, we discussed artists, movements, color and light. The discussion continues as we apply the work and knowledge of those artists to our current film project. Ever notice how sfumato and chiaroscuro in film is as powerful as it is in painting? Now, how …

Posted by Cyndi Greening at 11:09 PM | Permalink

Being deeply loved by someone gives you strength;
loving someone deeply gives you courage.

Posted by Cyndi Greening at 07:44 PM | Permalink

BY PAMELA BOWMAN, MANHATTAN, USA – I walked through the halls of the Metropolitan Museum of Art experiencing the work of great artists through the ages. It was an overwhelming experience. On each wall, in each crevice and around every corner was a record in some form of our history. I kept searching because I felt it was not complete. It was not whole. Finally I couldn't stand it any longer.

“Cyndi, where is the artwork of the women? Where can I see paintings by women?” My question did not surprise her, but she did take a moment to answer. “There were very few women artists during the Renaissance period. It was not thought that women could be great artists. They were expected to stay home and tend to the children and take care of the house.”

“But wait, I have seen movies where women are tutored in art ... like Sense and Sensibility."

“Tutored as a school exercise yes, but not seriously taught as a career. Men could take the time to develop their skills, women did not have the luxury of time.”

She was trying to diplomatic. I was appalled.

“How can human history be really accurate without the perspective of women? You have got to be kidding me? There were no women artists? What if they wanted to pursue art? Would they be allowed to?” Later research revealed that there were a few women painters of the Renaissance but most of them were taught by famous fathers and created only miniatures. It didn't appear that any women were making their living creating art. Surely there must have been women who wanted to create art as a way of living. The only famous woman artist she could come up with was Artemisia Gentileschi.

Cyndi brought me to a room where there were sculptures by Auguste Rodin and his confidante and lover, Camille Claudel. As a young woman, she studied at the Académie Colarossi with sculptor Alfred Boucher. At the time, the École des Beaux-Arts barred women from enrolling to study. A gifted sculptor and graphic artist, she caught Rodin's eye in 1883. An idea of how women artists were received? The famous art critic Octave Mirbeau wrote that Claudel was "A revolt against nature: a woman genius."

My heart was heavy as room after room showed the meticulous work of male artists. It seemed that so many of the pieces lacked warmth. The level of skill was exquisite but there was a dimension that was often absent. Perhaps it was the lack of feminine interpretation of life. How much richer our history might be if we all are encouraged to participate equally.

My first thought was, "Good thing I live in the world today." But then we started the discussion of today. Is it much different? We find more women artists in the world of art than at any other time. But, how many is that, really? In my medium of film, how many women are represented? How many women directors do we have? Producers? Cinematographers? How are they received? The small numbers reflect the truth.

This is NOT a discussion of division but of inclusion. What would be possible if we all were included. I would NOT want people to look at my work simply because I am a woman any more than I would want to have my work NOT taken seriously because I am a woman.

The difficulty is that in the past many women behaved more masculine in order to pursue their dreams. While women entered the art (and other) arenas, the feminine was still missing. Everyone has something to offer this world. It seems that we should embrace our differences and relish in the three-dimensional realm of possibility when all are represented. I believe that I have something to offer and each of you do as well. It is the contribution of all of the points of view that is important.

Today we have the choice to support and nurture each other. It is my hope that one day, my grandchildren will be walking those same halls of that same museum but it will be different as the scope of art becomes wider and deeper. The artwork of today will reflect a fuller spectrum because we're all represented. The picture it provides will be more complete. Wholly representative of the human experience.

Posted by Cyndi Greening at 07:29 PM | Permalink

BY PAMELA BOWMAN, MANHATTAN, USA – Yesterday we went to the press conference for TOWARDS DARKNESS. Written and directed by Antonio Negret, it is the story about a disastrous Columbian kidnapping. While there have been several films about the rampant kidnappings in Latin America, this film is unique because Negret’s family has experienced the phenomenon firsthand. Rather than being an action film about the event, it is an exploration of the desperation faced by the family and the victim. Because of the strength of the script and, undoubtedly, the connections of Producer America Ferrera, Negret was able to get many talented actors to participate. Among them, the incendiary William Atherton (of DIE HARD fame), delicious David Sutcliffe (from HAPPY ENDINGS) and Tony Plana (as the earnest Della Serra in AN OFFICER AND A GENTLEMAN, officer Ray in LONE STAR and Martinez in PRIMAL FEAR).

Plana was eloquent and erudite during the conference. He's the first actor I've known to make an argument FOR politics ... politics of the people, of course. “If there is no political solution, the citizens are left in an existential hell. There is no future for the people," said Plana, "And everybody is forced to sacrifice integrity for survival. They must destroy their enemies or be destroyed.” Plana voiced what Negret’s film reveals about the personal consequence of political impotence and antipathy.

In the film, while Jose, the victim, is physically bound, his mind is still free and he spends moments pondering his past while those who are physically free spend their moments paralyzed with fear and desperation. Negret said that he edited the film to show this contradiction. As more of the past is revealed, there is less and less time to handle the problem in the present so the cutting style is very aggressive. This viewer perceives the passage of time not as an opportunity for greater understanding but fewer choices. The film is worth seeing just for the editing.

One of our most exciting discoveries at Tribeca is Colombian actress Alejandra Borrero. Borrero was luminous as the mother of Jose and wife of Tony. She plays the mother with both tenderness and fierceness, a mixture that Borrero feels is typically Colombian. “What I loved about the part of Jose’s mother is that it shows Columbian women being strong. They never know if their husbands will come home again. They never know if they will see their children again. Columbian women are always prepared for independence.” Alejandra admitted to succumbing to the fear and reality of living in Columbia. “I left and lived in a different country for a few years. I discovered I wasn’t happy. I missed my home. I am now living in Columbia. I do not want to live my life like that. I choose not to live my life like that. My country is really a beautiful place with kind people.”

The audience faces the reality of this situation in a shocking conclusion and discovers that we all have to choose every day to be strong and live and love like there is no tomorrow. Catch the film!

Posted by Cyndi Greening at 03:28 PM | Permalink

BY PAMELA JO BOWMAN, MANHATTAN, USA – I woke up today and, like all days, checked my email. Being a member of the press covering the festival at Tribeca I receive numerous emails every day. Today was no exception. As a member of the press, my job is to attend the press conferences, the press screenings and the general audience screenings. All three have a different feel or nuance.

The press conferences allow the press to ask questions of the writers, actors, producers and directors. It can be a more intimate setting that allows you discuss the motivation of the actors and filmmakers. It can also be far less intimate because, at these conferences, the goal is to sell the film. The passion and commitment to the film can create a stir and, as press, we can influence the ultimate success of a film by the films we choose to cover.

The press screenings allow the press to view a movie without the distraction or influence of the paying audiences. The oddest thing is that press screenings at Tribeca are extremely small. Most are very poorly attended with just a handful of press present. While it encourages objectivity, it doesn't do much to promote enthusiasm because the theater is so "dead." At other festivals, the press screenings tend to be better attended. We have been at Tribeca press screenings with as few as four (4!) members of the press in a theater that holds 400.

The audience screenings are typically packed. You can feel the excitement and anticipation for the film. A lot of this excitement or lack thereof, has been created by what the press has written or not written about the film. The press can and does influence the interest and support of film. So you would think allowing the press to do their job would be a priority. (See Cyndi's post about the value of the press from a distributor's point of view for more on this.)

Today our email from Tribeca informed the press of a new procedure to acquire tickets to an audience screening. So far we have been unable to even get into a single general audience screening. The new process is that we need to ask 24 hours prior to a screening for tickets. They let us know in the morning if we will be blessed with tickets. Oh boy. Since there wasn't enough time to request tickets, we decided to play it safe and go to a press screening of a film we'd heard really good things about. (Sundance pal, Levi Elder, told us THE POUGHKEEPSIE TAPES was one of the best films he'd seen.) We can always get into press screenings so we decide "better safe than sorry." At least we could be certain we'd have something to write about.

The screening was set for a new venue, the Clearview Chelsea West. Being a little tight for time, we hailed a cab headed north. We arrived with at least 15 minutes to spare. We were informed, however, for unknown reasons, that the film ad been removed from the list for press. We were curtly informed that it would not screen. Would have been nice to know. Could have saved 10 bucks on the taxi and slept in. But, then, a blessing in disguise, we wanted somewhere to sit so we went to the TOWARDS DARKNESS Press Conference (see blog entry) and talked with some very talented folks. It all turned out in the end.

Posted by Cyndi Greening at 03:21 PM | Permalink

BY PAMELA JO BOWMAN, MANHATTAN, NEW YORK - Today we took the opportunity to watch three documentary films at a venue for the press. WILL EISNER, PORTRAIT OF A SEQUENTIAL ARTIST; TWO EMBRACES; BETWEEN HEAVEN AND EARTH. We do like documentaries. We recognize how more people are beginning to appreciate them as well. We acknowledge that the public is becoming more sophisticated and more interested in these types of films.

You might wonder how a documentary on a man known for his contribution to the comic book world could reach a sophisticated audience but anyone who has been watching the evolution of the graphic novel craze knows that it does. PORTRAIT addresses Eisner’s contribution not only to animation but to young animators. Many artists including Neil Gaiman expressed their awe for his talent and their appreciation for enlarging the comic book venue to the adult population with adult topics, concerns and opinions. Eisner’s work was revolutionary. It expanded to more than the typical superhero stories. Comics became political and relevant mainly because of Eisner’s insight and vision. Eisner died in January of 2005 but his work has enabled others to see a different possibilty and experiment with their own vision.

TWO EMBRACES (DOS ABRAZOS) is a movie from Mexico. Since I lived there for 17 years, I am always interested in movies from and about Mexico. This was actually two movies blended together by a shared moment. What I appreciated about these films is the subtle acting that occurred. When you live in Mexico you realize that children are taught to act at festivals and school plays and presentations with theater flair and overly dramatic preformances. Watch a novela and you will know what I mean. In TWO EMBRACES, the actors were subtle and thus more powerful.

As for BETWEEN HEAVEN AND EARTH, we weren’t sure for quite some time if we were watching a feature or a documentary. We weren’t sure if the story was about the circus or the political situation or the social ramifications in Uzbekistan. There were some amazing shots and even some story lines I wish they had developed more, but mostly I wish they had chosen one of the story lines and developed it into a more thoroughly satisfying film.

After today’s viewings, we felt that there are some amazing stories that need to be told. More voices that need to be heard. The ability to create these beautiful shots should enhance the story. Today’s technology should enable the filmmaker to add more depth to their story, but first the story has to be clear and crisp and did I mention clear? We know we can do some amazing things with the software that is available to us. We must not forget that it begins with the story and it should be about the story and it should end with the feeling of experiencing an unforgettable story. That's the story for today's slate of films.

Posted by Cyndi Greening at 10:37 PM | Permalink

BY PAMELA JO BOWMAN, TRIBECA, NEW YORK - We walked by a restuarant in Tribeca and I immediately wanted to eat at this restaurant. Any eating establishment that has several limos out front and chauffeurs waiting under the awning seems like a safe bet. It took a bit of convincing for me to seriously consider the money side but Cyndi can be convincing about enjoying life in the moment. When will we be in New York again?

So we squared our shoulders and walked in like we owned the place. Turns out Robert DeNiro owns the place! They offered to take our coats and asked if we were listed. We were not of course but they seated us anyway!

We were pleasantly surprised by the prices and delighted with our entre choices. I believe Cyndi used the word divine several times with her Wisconsin accent! Imagine that! After her being a tad grumpy she perked right up after tasting the bread and wild mushroom and fontina ravioli. We really wanted the dessert but there was no way we could eat another bite and then walk, not roll, to the subway.
We will be frequenting the TRIBECA GRILL again before I leave. After all darling, it was divine!

Posted by Cyndi Greening at 10:20 PM | Permalink

BY PAMELA JO BOWMAN - MANHATTAN, NEW YORK - Today was a busy day! It was a beautiful rainy New York day. We won’t discuss what happens to my hair on rainy days. Not very relevant. So Cyndi decides to override my cheap ways and hails a cab! To tell you the truth, it would have been faster to walk to the subway. She was mad that I was up and ready to hit the road by 8 a.m. Some people are a tad temperamental in the morning!

So we get to the private screening facility to watch THE DEVIL RODE ON HORSEBACK This is a documentary based on Brian Seidle’s experience in Dafur. Brian was a retired soldier hired as a peace keeping observer (the entity that hired him was never really established). Using his camera, he was able to document the genocide that was occurring there in 2003 - 2005 (and continues to this day). This movie showed Brian witnessing the massacres and also his own self-revulsion at being unable to stop the murders that were occurring right in front of him. He was convinced that his photographs would provoke an immediate response from the world and, in particular, the U.S. government. Although his message is very clear, I felt the film would have been more affective as a narrative feature. I believe more people would have been reached and more would have reacted as Brian naively expected.

I would like to address the whole Tribeca private screening experience. Apparently, in the past at Sundance, the press were allowed to check out movies to take home for private viewing (until last year when someone decided to copy them and distribute covertly). So, they discontinued that option. At Tribeca, they set up a little room with maybe 10 stations for press and industry to view films on a large flat panel display. We all wear earphones. These do enable you to hear your movie but they don't quite mask the sound of everyone walking on the wooden floor above the screening room, people talking outside the screening room and even the noisy reactions of other screeners viewing other movies. The DVD of the movie we watched kept freezing and doing an unpleasant digital dissolution. Very annoying! Someone needs to resolve this issue.

After viewing this movie, we both needed to take a moment and absorb the information and the graphic images of the film. We walked, in the rain, to our next venue, a film workshop. This workshop discussed the different digital cameras and how they all are transferred to film. We were able to view short clips of current films (like CONTROL ROOM and IRAQ IN FRAGMENTS and JESUS CAMP) with details on the cameras and methods used by their filmmakers. We were really able see the benefits and shortcomings of different cameras and formats in the process of converting a film to (literal) film. This made me feel confident and relieved for our feature, which was shot on a Sony HD HVR-Z1U. The documentary, however, was made using four different cameras and four different formats. What a nightmare that puppy will be to blow up! OOOPS.

Afterwards, we went to a few of the press coverage screenings. Nice, but there are no Q&A’s. We hope tomorrow (when we see a movie with a festival audience) that there will be Q&A’s. We really enjoy the insight and understanding the Q&A's provide regarding the filmmakers' process and goals.

Posted by Cyndi Greening at 10:19 PM | Permalink

BY PAMELA JO BOWMAN, MANHATTAN, USA – On our first taxi ride in New York our cab driver tried to rip us off. I looked at the meter and saw $25.50. I asked if we could swipe our credit card. The swiper was right in front of me! Nope. Cash only. How much? $40.00 dollars. Huh? We let him know we might be from somewhere else, but we aren’t dolts! That same day another taxi driver took the long way around. It took 20 minutes to go 5 miles! I picked up on their tricks. Tonight we took a taxi. He tried the tricks. He asked if we wanted to go 6th ave or 10th. We told him whatever was fastest. He said you can never tell in New York City. I told him to drop us off right where we were. We were a block from our B&B. That will be $4.30. Now we are talking!

We have experienced some wild animals. They are called rats. So far we have met three. I wanted to take a picture of this rather large rodent, but they scurry around so fast!

Tonight we rode the subway up to Broadway. I am getting really good at swiping my subway card. You would think I was a local. I am amazed at the night life of this town. Everyone is out walking around. Broadway was sooooo cool. We had a Mary Tyler Moment without the hat!

I love this town! I have not experienced the New York attitude except from people who aren’t really from New York! Funny how that is. After our cab situation, I was so disappointed that I put on my tough girl in your face don’t mess with me attitude. One of the reporters I met today asked how long I have lived in New York! Oh about 24 hours!

The subway has been another grand experience. We bought an unlimited 7 day pass. I can ride anywhere for 7 days! I would like to say it was a conscious choice to ride the “6” downtown, but it was an error made by my traveling companion. You should never trust those teacher types! So off we went, climbed up the stairs, crossed the street to get to the other side of the subway, down the stairs and here comes that lovely public transportation. We even heard a guitarist entertain us in the station. How cool is that?

I haven’t even mentioned the food yet. There are these cute little cafes everywhere! So much competition can be a good thing for the customers! We have tried Italian, American. I have been told the Mexican food is something to avoid. How can I live without salsa! Someone help. This is New York City. Get a rope! Tomorrow will be another grand adventure. Wait that would be today! What is the point of sleeping? It really does get in the way! I don’t want to waste my New York minute.

Posted by Cyndi Greening at 11:28 PM | Permalink

PAMELA JO BOWMAN - MANHATTAN NEW YORK - Yep, we are in New York City! Trying to attend the Tribeca Film festival. Today we rode the subway down to Tribeca. We managed to locate the building on Greenwich for our credentials. Then we headed 1/3 mile away to the press lounge.

We found out where we could set up interviews with industry people. We found out about private screenings so back to the Greenwich location to set up some screenings. We found out the movie we signed up to cover tonight was really just the red carpet arrival of “the stars”. We had to stand and wait for any available seats. We had to go to the theater where that screening was being held to buy any available seats for the films being shown within 24 hours. (several miles away, and no shuttles.) We asked about tickets for a screening to be held in 4 days. I think that would be out of the 24 -hour requirement, but no, we still had to go to the theater and wait ‘stand by’. Great fun! We were unable to get in. Back and forth we walked to get information and to find out they could not accommodate us. My feet, I can’t feel my feet! Numb, numb, numb. We have had some New York minutes, but that will be another blog!

We realize that this is our first experience at Tribeca. Our only reference is Sundance and SXSW. Every festival has their own way of producing their festival. What we have discovered is that Tribeca is in Manhattan. What that means is if you want to see any screenings you have to plan very carefully because the location screenings are very far apart. The best choice is to stay in the same location and see whatever they happen to be showing for the day. The private screening idea is pretty cool, but the movies of choice are limited to those that need more media exposure. All in all, it is a little frustrating as far as press goes.
So, if all else fails, enjoy the food, learn to ride the subway, take pictures like a tourist and enjoy being in New York City! OK. Left to my own devices, I know how to do that! Tomorrow is another day. Hopefully we will be more successful in covering this event as it progresses! All I have to say, ok…all I have to say right now is... know a good foot masseuse?

Posted by Cyndi Greening at 10:30 PM | Permalink

BY PAMELA BOWMAN, MESA, USA - We all had preconceived ideas of what Africa would be like. These images reflect moments where we stopped and grasped what was real for each of us.




Photographs by FilmZambia Unit Photographer Mike Montesa

Posted by Pamela at 09:57 AM | Permalink

PAMELA JO BOWMAN - MESA, ARIZONA - This last Wednesday, Cyndi and I flew over to LA to talk to two producers. We went looking for direction and information about distribution and marketing. These seasoned producers were very helpful. At the end of the day we were exhausted from the amount of information we obtained and exhilarated in learning that we were doing things right. We are seeing the results through the interest of some serious distributors. We told them whom we had contacted and who had responded and they assured us that any of those companies were reputable and could be trusted to package our projects successfully. There were two moments that made me realize the truth of the saying "Ignorance is bliss." In viewing our trailers both producers commented how ambitious it was for our crew to think we could go to another country and start the film industry there. Both producers had to swallow their amusement at our naiveté. Seeing our situation through their eyes made us laugh at ourselves and also smile because we didn’t know what we couldn’t do and so we ended up doing it. It all began with Jabbes. He didn’t know what he was asking for when he approached Cyndi requesting her to help him shoot a movie in Zambia. None of us did, but we did it.

Posted by Cyndi Greening at 08:32 PM | Permalink

BY PAMELA JO BOWMAN - MESA ARIZONA - This 52 year old widow graciously allowed our film crew to set up our equipment and shoot a scene in one of the three rooms in her home. Laying in the corner of the room, on a thin mattress, was one of her six children, a son. He was a young man, probably in his early twenties. He was so small and thin he seemed more like a child than a man. He was dying. One of the actors told us that at one time he was a vibrant young man, full of life and mischief. I spoke with this woman about her life, her dreams, her hopes. She professed not to have any. I asked her if she was happy. "No, I am not. I have so many problems." She has lived a hard life providing for her family. She lives day to day, but she lives. After the shoot, Cyndi offered her financial compensation for her home, a "location fee." We were told the family could live for a year on that location fee. We also gave her two bags of candy to pass out to the neighborhood children. It was then that we saw a smile beneath her sad eyes. We have been back in the U.S. for many months but this woman's eyes still haunt me in the darkness and in the light.

Posted by Pamela at 12:05 AM | Permalink

PAMELA JO BOWMAN - MESA ARIZONA - I read a story of a teacher who had retired after 30 years of teaching. Years later she received a letter from one of her former students expressing his appreciation for what she had done for him. After all those students and all that teaching she cried to receive this small acknowledgement for her lifelong efforts. One letter from one student after 30 years of teaching!

Working with Cyndi I am constantly amazed at the amount of email she receives everyday. I am even more amazed because a week rarely passes without her hearing from a former student. This last week a student wrote asking her to confirm that she would be teaching a particular class this fall. He doesn’t want to take the class unless Cyndi is teaching it. This kind of acknowledgement is common for Cyndi, but never expected or even shared. She is always delighted to hear from her students. She has a ton of success stories of students that credit their current careers because of the knowledge she imparted to them in her classes.

I have known Cyndi as a teacher for over 5 years now. I realized from my first class that I finally had a teacher whose first goal was to teach each individual in her class. As an older student returning to hone my skills I was terrified. My fear did not dissuade her. Instead she found ways to reach my mind and all the minds in my class. Through the years when I heard of students attending MCC I always recommended her classes. Whenever the MCC class schedule came out I would scour the classes to see which ones she was teaching and I hoped those classes would fit into my busy schedule. Last year I took a Cyndi Greening class with my oldest son. He too came out of every class excited about what he learned and eager to return to learn more. I have a BA in communications. I have taught school myself. I have even been a vice president of a school board. I have never experienced a teacher like Cyndi Greening. Every class we learned more then we ever anticipated and we were taught in ways that enlarged our understanding.

It is the students and by extension the community who have benefited from her dedication to reaching the student. She continues to be committed to each and everyone of her students, prior and current. It is always amazing to see and experience someone who’s first priority is getting the job done well not to impress his or her boss but because that is their job. So I add my letter to her growing and well deserved collection. Thank you Cyndi.

Posted by Go Zambia at 11:45 PM | Permalink

BY PAMELA JO BOWMAN, MESA ARIZONA - We have finalized the documentary trailer. We even sent it to the crew and friends for feedback. So far so good. The suggestions for adjustment have been minor. Now we are completing the feature trailer. We will be sending them to HBO. Yes, we are very excited.

As we work, sometimes…, okay, all of the time, we are engaged in conversation. Today we were talking about how people solve their problems. As you can imagine, filmmaking and film editing is just one problem after another. Cyndi told me about a book she read that said people solve their problems in one of five different ways. I can never remember the five ways of solving problems. So, today we made up a word so I could remember them. The word is … Oh heck, I forgot! (Guess what, that is one way of “solving” your problems. Get confused. Get very confused. If you can’t figure it out and don’t know what to do, you don’t have to fix it!)

The five ways people “solve” problems …

Get Sick (go all the way to dead)
Get Confused (go all the way to crazy)
Get Angry (go to all the way to murder)
Get Depressed (go all the way to suicide)

The fifth way to solve the problem … Actually solve it. Do what needs to be done to solve it. Why, you might ask (as I did) doesn’t everyone just solve their problems? Because, the book says, people are unwilling to solve their problems if they don’t like the solutions.

She elaborated and said, “Pam, think about it. When people have a problem they either become depressed and won’t get out of bed to fix it, or they get sick and won’t get out of bed to fix it. They get confused and can’t figure out how to get out of bed to fix it. Or they get mad and determined not to get out of bed to fix it. Finally, most people get sick of being in bed and finally figure out they have to get out of bed and fix it.

We laughed. (It is particularly funny because Cyndi spent most of January wallowing in some sad place, frustrated with what to do with the films. A little time and distance from the experience … and watching all of the footage from beginning to end as I had originally suggested … made it possible to attack the problem.)

But then, I said, “What about the people who do the “Yeah, but, I can’t change it. Yeah, but, I can’t fix it because blah, blah, blah What about the “Yeah, buts.”

That’s his second book, she says, The People of the Lie. People who refuse to change or handle their problems and blame other people for what doesn’t work in their lives. She always has an answer to everything to support her theories. I think producers are like that. Or teachers, maybe. I am going to put on my headphones so I don’t have to listen to her elaborate on this anymore. Or I’ll be having a problem getting my editing done on time!

So what does this have to do with anything? Not a heck of a lot. Except that filmmaking is a big problem solving fest. And there is the issue of friends and people emailing us and asking why we aren’t blogging like we used to, so I am committed to one of us posting once a week. ( Your turn Cyn!)

I also wanted to tell many of you thanks for your friendship and support these last few months. I had a big problem! Sometimes I got depressed about it. I was definitely sick of it! And often confused as to what to do. We won’t discuss the anger issues. Alec still has remnants of my bite marks! Ultimately, we got busy and solved it … and we feel pretty proud of our documentary trailer. The movies are coming along well, too. Funny how that works. If any of you are interested in viewing the documentary trailer, email us and we might just send it to you. If not, well you choose which of the five methods you’ll use to solve that problem.

Posted by Cyndi Greening at 10:07 PM | Permalink

BY PAMELA JO BOWMAN - MESA ARIZONA - We are in the editing process. We spend all day, every day (and some nights and weekends) editing these two films. Everything takes longer than I think it should. I believe it keeps getting stronger each day. We put it to bed at night and in the morning we recognize new ways to go back and tighten it . Sometimes taking a “film break” can be another way to discover answers to film editing situations. This month I spent time watching how other editors edit their films. I “sacrificed” some time and accompanied my husband to 4 movies. One historical drama, one coming of age movie, one love story and one I can’t even remember. I looked it up and it would be better to forget that I spent money on it. Oh the sacrifices we make to hone our craft!

AMAZING GRACE, in my opinion, was worth the time and money. I enjoyed how they sequenced the scenes and the story. The casting was right on. I believed in the characters and so I was drawn into their story. The music, the scenery, the shots, the detail. Truly beautiful. I also enjoyed the history lesson for my daughters.

WILD HOGS on the other hand, well, do we need to even address what, in my opinion, was a story that could have been and should have been a coming of age tale for baby boomers past, present and future? I just don’t think there was strong character development. I wanted to like it. I wanted to like them, but all I saw were the actors trying to act...on motorcycles.

SONG AND LYRICS was just fun. I could discuss character development and lack of romantic connection, but I really wanted to just enjoy a film. It has been such a long time since I just relaxed and enjoyed the fantasy. After experiencing GHOST RIDER, I suppose anything would seem good. After all doesn't everyone need a love autopsy. Doesn't everyone want to find, "A Way Back Into Love!” Oh yea, "Pop, goes my heart!" Sometimes silly can be a fun and life affirming experience. Drew and Hugh ooze with silliness and it is contagious.

As far as GHOST RIDER. Saying nothing is writing too much.

What is true is that before Zambia I would go to movies and I could tell I wasn’t getting into them as much as I used to. After Zambia, my family has become exasperated as I editorialize every movie experience. I analyze the actors, the lighting, the storyline, the sound, the music, the detail, the shot angle, the subtle story in costumes or food or wall decorations. As I discuss the films with friends and family they berate me about dissecting every scene and character and basically ruining the movie experience. I realize that a really good movie is done so that I don’t even notice the seams or actors or music or detail. I would be drawn into the story and the characters. That is what I want to create, a completely absorbing experience for the moviegoers. It is their ten bucks and I want to earn every penny. I want a CASA BLANCA experience. I want a GREAT GATSBY or a GONE WITH THE WIND or a WIZARD OF OZ. I want my own yellow brick road. I know it will take time and experience, but once you have had that moment in a movie that touches your heart and changes your life, well, the feeling is enchanting and empowering. To create that experience for others is exciting and alluring. It is becoming the wizard behind the curtain. It is enabling others to recognize their own heart, their own brilliance, their own courage and where they truly belong.

So back to the editing process where everyday we think, “why didn’t we get more B roll or shoot that at a different angle or where is the story?” We kick ourselves, but we also are taking notes and learning. We are getting better at this. We have moments where we are creating our own OZ. For me editing is just one more step in the process. It is fun to be able to see the story develop and unfold. It is fun to learn. I giggle with joy everyday! It is a joy to place the pieces together and watch a piece of work evolve into a work of art.

Posted by Cyndi Greening at 01:53 AM | Permalink

BY PAMELA BOWMAN, MESA, ARIZONA — Today, our press credentials to the Tribeca Film Festival were approved. This festival is in New York City. Manhattan. The Big Apple. I have never been to New York City but a year ago I had never been to Africa, either. Manifest and whatever you want can be yours. I have always wanted to go to New York. My grandfather was born there. I want to look up his history and see his house. So I am going to believe that this will happen and then it will.

According to their website, "The Tribeca Film Festival was founded in 2002 by Robert De Niro, Jane Rosenthal and Craig Hatkoff as a response to the attacks on the World Trade Center. Conceived to foster the economic and cultural revitalization of Lower Manhattan through an annual celebration of film, music and culture. The Festival’s mission is to promote New York City as a major filmmaking center and allow its filmmakers to reach the broadest possible audience." The sixth annual Tribeca Film Festival (my first, however) will run from April 25th to May 6th, 2007. The Festival is anchored in Tribeca (that is the triangle below California) and takes place in additional neighborhoods throughout Manhattan, featuring film screenings, special events, concerts, a family street fair, and panel discussions.

In my experience, good motives breed an environment for creativity and acceptance of new ideas. Even though I graduated in journalism and enjoy covering the indie films and their creators, it is the production of my own ideas and the sharing of my own creative thoughts makes me want to attend this festival. I am excited to learn from others who will share their filmic vision and have inspired one of my own.

Posted by Cyndi Greening at 01:33 AM | Permalink

BY PAMELA BOWMAN, MESA, ARIZONA — I love this time of year! I can eat my breakfast on my porch …for two days … and then the nasal drip begins. My eyes get puffy and the allergy breath nauseates even me. I would love to be able to scratch my brain! Anyone have a brain scratcher? Knitting needles? Really long q-tips? So the allergy medicines are purchased and I am back on my bike riding to work. Today I made Cyndi take a break and go outside just to sit in the sunshine. We can only stare at those monitors for so long. I keep going over to the Lakes' pool before work, during work, after work. It’s not like watching exercise gurus on T.V. I actually swim while I am there! The exercise is invigorating and motivates me to get my work done so I can go play some more. The truth is that I feel like I am playing when I work, but looking out of the office window at the beckoning sunshine is … just … well … more than this girl can take!

I am convinced that finding time to play outside helps the work progress. We are getting things done. We are almost meeting our deadlines. Believe me, this is an improvement! Last week, Cyndi’s family was here. There was a phone conversation she was having with her sister because, apparently, she was supposed to have met them at a restaurant. “I am almost there. I will be right there. Really! I am just exiting the freeway.” I couldn't believe what I was hearing. She was still sitting at her editing desk! Even if we aren't actually making a deadline, Cyndi thinks she is! She always thinks she's going to make it.

With all of the pollen in the air, my head is so stuffy, I can barely remember what day it is. So spring has sprung. Ain’t it great? Hope you indie filmmakers are making your deadlines. If you're struggling with allergies, let me recommend Benedryl. As a child of the 70's, I've always been told drugs can be a wonderful thing! They make it so much easier to love this time of year … and meet your deadlines … for real!

Posted by Cyndi Greening at 01:06 AM | Permalink

BY CYNDI GREENING, PHOENIX, USA — We spent last week working on the trailer for the documentary and three guesses as to what we're working on this week. Yep, the trailer for the feature. We passed the initial cut to Keith Heffner, the Sound Editor and Music Director. He layered sound, effects and vocals into an appealing and effective mix. It was exciting and inspiring to see everything coming into shape.

Ultimately, we had 88 hours of footage that were shaped into the approximately 90-minute documentary. We had another 34 hours of footage that were crafted into the 90-minute feature. When you're shooting a feature, there is a primary story line that is being followed and there just isn't much other footage to spare. The documentary is a whole different story. With 88 hours of footage, you can imagine there were many, many stories that could be found in that mass of material. The students were required to make demo reels after they returned from Zambia so some of the footage was used there. But much of it will remain unseen, many of the more subtle stories will remain untold, parts of what we discovered will remain unknown. We got to talking about it and decided that some of the stories might be suitable in a short format.

Producer Pamela Bowman has created a short based on the poem she wrote while we were traveling to Victoria Falls in southern Zambia. (The original blog entry of the poem can be found on the FilmZambia site.) In addition to working on the documentary trailer, she's been working this short. I think this piece captures the gentle soul of the people of Zambia. We met so many kind and wonderful Zambians. Check it out.

Pamela Bowman's Short Film
HEART OF AFRICA

Posted by Cyndi Greening at 08:55 PM | Permalink

BY CYNDI GREENING & PAMELA BOWMAN, PHOENIX, USA – The FilmZambia project has been a life-altering, monumental experience for all who participated. It is because of the Zambian project that we (the producers) have come to realize and refine our life mission. We experienced such satisfaction and joy at helping to bring a new voice to the global cinema, in educating filmmaking students in Zambia, in watching our MCC students expand their skills and have profound cultural experiences. The goal of educating, developing and supporting new voices in global cinema continues to be one of our primary concerns.

However, after attending the Sundance Film Festival in January, we realized that we were overlooking the voices of U.S. filmmakers. We were inspired to expand our commitment to include finding and nurturing the voices of new filmmakers in the U.S. Attending the festival, we found our voice and are stating our desire to help storytellers and filmmakers find their unique voice and get their story into the national market.

So, we are pleased to announce the launch of Greening Productions / Angel&Wings Productions, a site devoted to supporting independent filmmakers worldwide. (You will have to read the story of how the company name was bestowed upon us in Zambia! Whle we don't make religious films, we are committed to doing good work.) On the site, you will find the dates and times for classes and seminars that will be offered in the Phoenix metro area. These classes will also be available in different national locations in the near future. In addition, we are making DVDs available to assist in your digital film development.

Wherever we traveled, people interested in film would pepper us with questions. Due to limited time, we felt we could not give adequate answers or explanations. Through these classes and products, we are now able to provide information and assistance to future filmmakers.

So enjoy the site and let us know what you think! If you have thoughts on other products and classes we could offer that would be of support, we'd love to know. We will continue our global projects (we are currently working on a FilmEcuador project and a FilmSenegal project), also. We appreciate your feedback and thoughts!

Posted by Cyndi Greening at 10:35 PM | Permalink

BY PAMELA BOWMAN, MESA, USA – While we were at Sundance, I was sitting in front of a small group of very young filmmakers at a funding panel. After eavesdropping, I learned that they had done a movie on some guy traveling around the United States ... I can’t really seem to remember much more about their film. Not real impactful or just not my cup of cocoa. Anyway they ended up being indie snobs. They were talking about a site called YouTube. They said that they would never post there or respect anyone who did. During the panel YouTube was discussed. The panelist acknowledged the impact YouTube was having on the industry and how some people have found success with their ideas and been offered movie contracts because of what they've put up on that site.

As you can tell I was not familiar with YouTube. I had heard of it, but I had not frequented the site. I have now. We did a test run on some clips from Sundance and have been surprised by the results. We've put up several of the vCasts from the last three years at Sundance. We have been surprised at how popular one vCast is in particular. Jared Leto stars in CHAPTER 27 and the Q&A following the screening of that film has been viewed 589 times in the last 72 hours ... since we like the whole independent voice thing, we can see how YoYouTube facilitates our goal of allowing us to hear more voices. Even the ones in our heads!

... BUT, (there is always one or two around)... how can and do people generate a salary to support life as we know it? Is YouTube killing the market for entertainment media? There is a huge population that applauds that thought. People swap music over networks that bypass the artists, producers and distributors. TV viewership is down. People are turning to other forms of entertainment. And in many cases they are in the creative end of providing it for others to watch and enjoy. Granted some of the submissions are worthy of the Maury Povich show or the wrath of Simon, BUT, (the second one), we have the ability to click away anonymously. No chance of hurting someone’s feelings. Pain free! Personally, I think YouTube is cool.

One of the big drawbacks about the computer age is the isolation. Humans do not like isolation. The internet is our creative way to maintain contact with other humans. We get depressed in our anti-social life style and we plug into the net. We chat and email. We watch movies and listen to music. In fact, movies and music are traded on the internet like baseball cards. As a person who develops media content, it seems that what needs to be considered is the contribution and the rights of the creators. How can the concept of free enterprise (commerce) continue if everything created in the entertainment field is almost instantly free?

In the end it really doesn’t matter. The people have spoken. YouTube and other sites like it are here to stay. We will all deal with it. And like all good Americans, we will try to find a way to capitalize on it.

Posted by Cyndi Greening at 09:05 PM | Permalink

BY PAMELA JO BOWMAN MESA AZ - Well, that was fun. My first Sundance film festival. Who’d have thought!?! I was surprised by so many things, but mostly I surprised myself. I was so disheartened the first few days. I was watching movies and very few were movies that left me feeling empowered on any level. Finally after attending some panel discussions and interviewing a few producers and directors I began to catch a vision, MY vision.

I can see how movies are shifting. It is like so many other fields of work. Technology is forcing specialization. Even in film, I sense it will be very difficult, if not impossible, to be a jack of all trades. I also feel that filmmakers can sense the power and necessity behind networking and combining efforts. One filmmaker, who in the past has always been a solo act, collaborated on her last project with an AD (art director). She feels her film is richer and more compelling because of the combined gifts and talents. I have experienced that as well this year. I have learned from the FilmZambia.com crew the power of inter-dependence. Everyone from the crew, cast and creators depended on one another. How crucial it was to establish that trust that others would do their job while others counted on me to do mine.

So we are back and more excited then ever about all of our projects. I hate for the night to come that steals away the time to create and discover and learn. So I continue working into the night! It is so liberating to finally be able to define how I want to spend “my” time and energy. It is equally rewarding to develop ideas into thought and possibilities. Mid life really is a wonderful place to be. So bring it on 2007. I am determined. I am empowered. I am ready.

Posted by Go Zambia at 11:10 PM | Permalink

BY PAMELA JO BOWMAN, PARK CITY, USA — We spent over three hours in two different sessions listening to film funding entities reveal how to get money for your film. In two sentences, I can tell you everything you need to know.

1. Start your movie, make a reel and/or trailer, send it to the funder/funding agency.

2. If they think your film is worth making, you will hear from them. If you don’t hear from them, well … learn from the silence.

Posted by Cyndi Greening at 09:27 PM | Permalink

BY PAMELA JO BOWMAN, PARK CITY, USA — On Monday, we attended the HOW “MOVIES THAT MATTER” CAN MATTER Panel Discussion at the Prospector Lodge. It was worth attending the festival for this panel alone! The panel consisted of men and women who were involved in this year's festival social change films. As is typical at Sundance, the event began late and a lot of time was spent reviewing each panelist and his or her contributions to filmmaking.

Members of the panel included filmmakers Judith Helfand (EVERYTHING'S COOL and previously, BLUE VINYL), Sean Fine (WAR/DANCE), Rory Kennedy (GHOSTS OF ABU GHRAIB), Eric Schlosser (author of FAST FOOD NATION), Gayle Smith (Center for American Progress), Brian Steidle (Marine Captain and subject of THE DEVIL CAME ON HORSEBACK), and Diane Weyermann (Participant Productions). They presented clips of their films and discussed their motivations for doing good in the world with cinema as their tool.

Each panelist expressed their passion and belief in their individual films. Evidence exists that their films have been a catalyst for change. Each panelist was able to provide examples of how their films had created change in the world. Very powerful. The panelists shared how they unite with grass roots and activist groups that can use films as part of their efforts. Gayle Smith (the Center for American Progress) talked about giving political power to one's filmmaking. Like the HISTORY IS MADE Panel Discussion, this panel deepened my commitment to filmmaking. It restored my faith that film can be powerful and can create meaningful dialogue and concrete change globally. When there is conversation there is communication. When there is communication there is understanding. When there is understanding, there is a change of heart and a change in behavior.

Posted by Cyndi Greening at 09:03 PM | Permalink

BY PAMELA JO BOWMAN, PARK CITY, USA — On Sunday, we planned our schedule around two important panel discussions. HISTORY IS MADE was a panel about how films that deal with historical periods become the current generation's reality for that history. Producers, directors and/or writers of films that addressed issues based on historical events were on the panel. Three documentaries were represented and one feature film. Bill Guttentag (NANKING), Julie Gavras (BLAME IT ON FIDEL), Steven Okazaki (WHITE LIGHT/BLACK RAIN) and Marco Williams (BANISHED) brought films that dealt with the rape of Nanking (1937), the Vietnam War (1970's), the dropping of the nuclear bombs on Hiroshima and Nagasaki (1945) and the forced migration of black citizens from southern states following the civil war (1965 - 1930's).

Ian Buruma was the moderator for the panel discussion. There were about 50 filmmakers attending the discussion. The intimate setting of the Filmmaker Lodge created a comfortable atmosphere for discussion. Buruma introduced the panel and small clips of most of the films. This gave us a sense of the story the filmmakers were trying to convey. Each spoke about their movie and its history. They shared why they chose their specific project. They revealed who they worked with and what message they were trying to convey.

The discussion included the importance of documentation. They discussed how it is easier for countries to research, remember and document the history of OTHER countries while forgetting or burying the history of their own. It was suggested that one of the purposes of documentaries was to influence our lives today with the wisdom of the past. The panelists suggested that we view historical stories with a contemporary resonance. The question of "collective victimhood" and reparations was broached but, of course, no resolution would be forthcoming since we do not yet as a society have answers for these sorts of tragedies. Regardless, I appreciated the conversation.

Posted by Cyndi Greening at 07:50 PM | Permalink

BY PAMELA JO BOWMAN, PARK CITY (USA) — There are things you should know BEFORE coming to Sundance. I heard about a family that decided at the last minute to come to Sundance from the upper midwest. They arrived thinking they could just find a hotel, a car, and a typical ticket booth to purchase tickets for any showing of their choice. WRONG! So, this being my first year I thought some of you would like to know how to do things with minimal ‘I wish we hads.” This list is not complete or even all that accurate, so take it or leave it without judgment.

There is a FILM GUIDE that should be read cover to cover. This will enable aspiring filmmakers to be aware of events like, oh, I don’t know, meeting commissioning editors. This is an event where anyone can sign up to meet with editors from PBS, HBO, Discovery, ITVS and even Sundance channel. You sit with eight other filmmakers and the editors . You pretend that the editors are really listening with interest to what you have dedicated your life to for the last several years. They tell you to call them and they give you their card and you walk out wondering if they had special cards printed out with fake numbers on them. (The film guide is available online for print out – free!)

The film guide also lets you review all the films being screened, their times and locations. (Films like FOR THE BIBLE TELLS ME SO (featuring Dick Gephardt's daughter, Chris) and THE TEN (about the Ten Commandments ... like these ten Sundance mandates). They try to put everything in a handy calendar so you can plan out your day as efficiently as possible. This efficiency is only affective if you get up early and stay out late and never eat. Pretty soon the movies all blend together except the ones you hate. Those you remember vividly!(Guide free. Films are not.)

The film guide also informs you of Panel Discussions like HISTORY IS MADE, WOMEN IN FILM, MAKING MOVIES THAT MATTER. These panels include current directors, producers, writers and casts of this year’s Sundance films sharing insights and challenges about getting their film to the festival. (Guide is still free and guess what, so are most of the panels!) Check out blog on these panels, or not.

Attire around Park City. I am a skier. So warning to skiers, avoid looking at the mountain. Really. Stop looking. Ignore the ski boots on the bus. Keep your eyes closed. Pretend the night skiing is cold, and boring and oh forget it. Ski half a day. During the festival the slopes are pretty empty. Cool. Having never just sauntered around a ski town, I was unprepared for the cold. It just is not cool to wear ski-wear to keep warm at the events. What is up with that? I suggest a long coat that covers your legs and those warm fuzzy boots to match the coat. Don't forget that fuzzy hat! Aren’t you all that! Of course, locals will know you are a festival goer, but who cares? (Oh yea, skiers!)

Traveling around Park City. This is kind of cool. They have a shuttle system that is FREE! You just have to find the convenient locations to hop on. They are not heated, but most of the people are. If you are desperate you can always catch a ‘taxi’. They charge about $3 to $5 per person. Kind of expensive for the ONE mile ride, but sometimes the five spot is worth finding out that thawing out can be painful in a pleasant and itchy kind of way.

Nourishment and sustenance It is a good thing that so many things are free because the food isn’t. I think that they have a special menu (with special prices)for the festival week, but I can’t prove that. I spent over $8.00 for two slices of French toast! ARGH!

Airline tickets. Do it in advance. Duh.

Hotel reservations – Do it in advance, like in October and then you will have money for food when you are here. Seriously, if you go with friends you can all camp out in a condo for a fair price per night. Divided up that is. Check it out. Best if you are near Main Street. Easy access. No parking problems. No driving issues either. And for the sneak in skier, there is a lift right down town. Really!

Film tickets. You can go through some weird ticket process and pay a fortune for this lovely opportunity or you can go to the movie an hour early, stand in the wait list line, paying $10.00 per ticket or $15.00 for Premieres (this year). Sometimes you can even find scalpers with tickets. The lines are inside a tent so you won’t freeze. No saving seats for friends in the wait list line! Yea right!

Parties. I’m too exhausted to go. I am here to learn as much as I can about filmmaking. I don't care about partying. Guess my age is showing. I hear there is some action going on. So if you are into that sort of thing have fun. I come for the movies, to learn how to make better movies and to write about what I think. Scary I know. What is this world coming too?

Eleven? Kind of like a bakers dozen. This one is simple. Have fun. Don’t take yourself too seriously. Don’t brag out loud about your film or who you met or speak too loudly on your cell phone! Tomorrow I won’t remember who you are and you won’t remember who I am. Although next year one of us could be on a panel! YIKES!

Posted by Cyndi Greening at 07:54 PM | Permalink

BY PAMELA JO BOWMAN, PARK CITY, USA — For those of you who visit this blog often or know me personally, you know my reputation with luggage. It's not good. The airlines lost my luggage not once, but TWICE during our trip to Zambia. I am used to to traveling with minimal clothing and supplies. So used to not having what I need that I have subconsciously made it a way of life.

Examples?

Well, after being disappointed in some of the movies here at Sundance, we left the building early. On our way home, I remembered that I had worn gloves. Nice leather gloves. Gloves my mother gave me. Gloves that I needed! We returned to the theater. I slithered in, hoping no one would notice I was the one who had left early. The young man sitting next to me was walking out with them in his hand. Gloves found, anonymity lost. During our next outing at the Press Reception for NANKING, we left the building excited to have accomplished our goal of interviewing the directors and actors. It was a chilly night. Suddenly, I realized I was chilly because I left my neck scarf behind. My son's neck scarf. Ooops. Cyndi returned for it and found it (literally) under the seat of some guests.

Now, whenever we leave the condo everyone asks, “Pam, are you feeling naked?” Huh? I have become so absent minded! It must be the high altitude. Yesterday, I forgot my camera! Today, when we went to pitch our films to HBO, I forgot the reel! Then later at a panel discussion I left Cyndi's phone in the cafe! Funny thing is, is upon our return for said items good things have happened. I found them! We also gained unexpected meetings or access to more information. It all ends up good in the end. Luggage returned, items found, memories made. All is not lost.

Posted by Cyndi Greening at 07:31 PM | Permalink

BY PAMELA JO BOWMAN - MESA ARIZONA - We are still editing. We are still excited about the potential of these two films. As we review the footage and discuss ways to make these films tell the story, we become stubbornly determined to finish this work of art. For us Africa was like a dream. Were we really there? These films are evidence to us that yes we were there and we did what we said we would do. In our dark editing room we have moments of wonder at the beauty of Africa. We see the aspirations of the Zambian people in their eyes, in their determined stance, in their graceful, but unwavering movements. Their lives are an inspiration to us to keep working, to keep trying, to keep editing.

Because of the films and the expense of editing the films, we didn’t ever seriously consider spending the time and money it would take to go to Sundance this year. Cyndi has sold her house to pay off these films. That is how dedicated she is to them. As the time for the festival approached we received the program guide. During lunch breaks we would review what films would be shown, what panel discussions would be offered. We saw the seminars being taught by filmmakers we respect. It was then that we realized going to Sundance would benefit not only our filmmaking, but also our current films, BAD TIMING and VOICE OF AN AFRICAN NATION. We started toying with the idea. How could we do it? Could we take the time? How could we afford to go? Then one day we realized we could not afford NOT to go.

It was amazing how things fell into place. A small condo was cancelled and offered at a discounted price. Air miles were made available. Cyndi cannot finance anyone’s experience but her own. Those of us going are taking care of our own arrangements. We are going. As we watch the films and attend the discussions and seminars I believe everything we learn will be applied to our current project for Zambia. We will return in 10 days with an experience that will help us finish these films.

So Friday morning we fly to Salt Lake City. Brrrrrr. We get to stay right there at the Marriott in Park City! We feel bad for whoever had to cancel their Condo reservations….sort of! Kind of like their loss is our HUGE gain. Life works like that sometimes. We like to think that it was meant to be. Serendipity. Regardless we are looking forward to every moment. You can even see us on our live web casts reporting on all the events. Check out cinemaminima.com. We’ll be there!

Posted by Go Zambia at 10:20 AM | Permalink

BY PAMELA BOWMAN, PHOENIX, ARIZONA, USA — Edwin Starr sang, "War, huh, yeah ... What is it good for ... Absolutely nothing ..."     But, the topic of war seems to be good for something at Sundance 2007. Seven films found the topic of war — conflicts of the present and past — worth remembering, reliving and recreating to grant filmgoers access to this ancient and most inhumane activity.

GHOSTS OF ABU GHRAIB, directed by Rory Kennedy, will screen in the Documentary Competition. Rory Kennedy ‘s documentary provides insight into what occurred at Abu Ghraib prison in Iraq. The film examines what and who was responsible for the abuses that occurred to the inmates. It also looks at how the United States, the world leader for human rights, excuses itself from obeying the very laws for which it has gone to war to protect. Americans will find this film revelatory, uncomfortable and disturbing. For those who have the valor to watch this film, Kennedy offers the opportunity to engage in the discussion of how to defend and protect the liberties the U.S. professes all people to have.

NANKING directed by Bill Guttentag and Dan Sturman will also screen in the Documentary Competition. In contrast to Abu Ghraib, NANKING depicts humankind at its most humane and also at its most inhumane. In 1937, the Japanese Army entered the Chinese city of Nanking. Hundreds of thousands of innocent citizens were killed. Among those were women who were first raped, tortured and barbarically murdered. A small group of Westerners in Nanking united to save, protect and shelter some of the citizens from their tormentors. By comparing the actions of these two groups, the film shows the spectrum of good and evil that exists in the human race. It forces an internal interrogation to decide what we might have done and what we should be willing to do today.

In addition, the film exemplifies the importance of documenting history. Guttentag and Sturman were able to recreate these events from journals, diaries, pictures and footage. Through interviews of survivors from both countries they were able to recreate an event that many would leave buried with the corpses of men, women and children of Nanking. They have been resurrected in this film to teach us all the power of the individual.

Director Charles Ferguson brings the Iraq documentary NO END IN SIGHT to Sundance 2007. The power of the individual is showcased in this film. Unfortunately, that individual is the President of the United States. Ferguson interviewed high-level government officials who were in Iraq prior to the war and others who were present during the military discussions on what should occur. NO END IN SIGHT exposes the incompetence of the American administration and the consequences of their choices. It also shows the results of those choices and the impact on Iraqis, Americans and the world. This film reveals the roots of this war for anyone willing to watch it. While it may be difficult for any nation to admit that their leaders failed them, future voters will benefit from the awareness that elected officials could better represent their values and expectations. Many Americans may have believed that they could trust their government to tell the truth. This film shows a betrayal of that trust in concrete terms. Viewers will be unable to say they don't know the truth unless they continue to ignore it.

WHITE LIGHT/BLACK RAIN by director Stephen Okazaki is haunting in its depiction of the events and the results of the dropping of the atomic bombs in 1945. He visits with 14 people who survived the bombings of Hiroshima and Nagaskai on August 6 and 9th, respectively. Over 200,000 civilians died instantly. This is the story of those who survived. In some cases, the audience witnesses that there are some are things that may be worse then death. In addition to the survivors, those Americans who carried out the bombings are also interviewed. They talk about how they live with their obedient compliance to their orders. WHITE LIGHT/BLACK RAIN reminds the world's citizens to recall what happened 62 years ago. It reminds us to recognize how fragile the balance still is between countries with different cultures, beliefs and values. In one brief, blinding moment, the world was irrevocably changed. The escalating tensions in Iran and North Korea should cause us to recall that millions of lives can be destroyed. All hearts will be haunted by the stories of the survivors of the White Light / Black Rain.

Director James C. Strouse explores the impact of war in dramatic narrative form. His film GRACE IS GONE will screen in the Dramatic Competition. Lead actor John Cusack said the following about his choice to do this film. "Art is political in the deepest sense when it gives people a sense of place within a political framework. The circumstances of this war in particular are buried in spin and hidden agendas, and I think it is an artist’s job to try to expose the truth, in this case an emotional truth. There are some moral questions that needed to be asked about this war that go beyond political discourse and polemics. In my view, not every discussion needs to be one of point – counterpoint. If we can’t acknowledge that pain and grief caused by war is real, then we’ve really gone mad. That’s why I thought GRACE IS GONE was a really important movie to do.”

GRACE IS GONE is a dramatic film that powerfully depicts the impact of the Iraqi war on the individual. As Americans, we are all affected by the war, but that impact is nothing compared to what a family experiences with the loss of a father, mother, daughter or son. GRACE IS GONE is Strouse's debut as a director. He worked closely with Cusack who was also a producer of this film. Their commitment to the truth is evident in the characters and their relationship with each other. The true strength of this movie is the subtle way in which it brings a deep understanding to the viewers about that loss. It also gives the viewing audience a sense of place and allows the audience to explore their own political framework, Cusack and Strouse help us all to experience that war and art are political.

HOT HOUSE by director Shimon Dotan appears in the World Documentary Competition. There is a saying in the U.S. that prisons teach inmates how to be criminals. In Israel, nearly 10,000 Palestinians have been sentenced to prison for acts of murder and other criminal behavior. Dotan interviews these prisoners and finds future terrorists are being created within these prisons and their plans are being formulated within the prison walls.

Dotan's documentary emphasizes everyday prison life. It shows that prisoners have access to newspapers, television and, more importantly, each other. While there are inmates who express their commitment to the negotiation process, there are others who did not and do not regret their terrorist actions. In their culture, they are heroes and martyrs. They embrace this belief and continue to embrace it and encourage it with their children. The strength of their belief is deepened during their time in prison. They say there is strength in numbers. As the number of prisoners in Israeli prisons increase, Dotan shows that Palestinian nationalism and ideology strengthens as well.

Masha Novikova's THREE COMRADES show how the daily lives of citizens are fragmented by war. Chechnya fights for its independence from the Soviet Union as their citizens face terror and despair. They struggle with the fear of the unknown future while remembering the hard but predictable past. War kills more then lives. It kills childhood and memories and hope.

Posted by Go Zambia at 11:06 PM | Permalink

BY PAMELA BOWMAN, MESA, USA — Norah Jones has a new single out. It is called I’ll Be Thinking About You. That pretty much summarizes this year. I will often think about all the people, places and events of this year and I will smile and I believe I will cry. It is strange how I placed so much emphasis on the concept of a New Year. It isn’t the New Year that alters my life direction. It is me. It is my life and I get to choose. Like wise it is your life and you get to choose too!

Today, Cyndi and I were exchanging Merry Christmas wishes. Our conversations can never be simple. No, we had to get philosophical. We were talking about what people can and do accomplish with their lives. We ended up talking about how there are those in the world who didn’t have encouraging parents or ideal situations, but they had determination and confidence in themselves in spite of their upbringing or life circumstances. Cyndi was raised in a small farming community in Wisconsin yet she just spent a year as the executive producer of a feature and documentary filmed in Africa. Not exactly what one might have expected from that background. I grew up in the San Francisco Bay area but lived and raised my family on a farm in northern Mexico for 17 years. Quite unexpected.

Likewise we met many in Africa who are ignoring their disadvantages and challenging circumstances of life to pursue their dreams and goals. All over the world, we see and meet such self-determined souls. I have come to believe we can accomplish whatever we set our minds to … it’s simply a matter of becoming aware of who we see ourselves to be in the world, whether we are inspired by our lives and whether others are inspired by what we’re taking on.

Even though I am no longer using the New Year as a benchmark to have a new beginning, I do feel like I have just finished reading and rereading the chapter of a history book, mine. I now feel that I have reviewed it long enough. I am now ready to take that learning to meet new characters, new challenges and discover new subplots. I find strenth in knowing this chapter will always be there to refer to, but I need to remind myself that the past can become a barrier or a path to the future. I choose the path.

Which segues into another thought I had yesterday. This year, for our annual Christmas Eve party we invited a different group of friends over. During the evening, I thought, “If I had been on the ball this year and actually mailed Christmas cards, how many new addresses would I be adding to my list? How many would I be deleting?”

For me, the thought was, how wonderful! My list has changed! My world is expanding which means that I am expanding. Then the thought came; maybe I am the "someone new" on someone else’s Christmas card list. Maybe there is someone who is glad that I am their new friend this year. Maybe I’m the expansion in their world. It was a fun thought.

As they say, the front of the hand always comes along with the back! In other words, both sides of anything are always present. On one hand, there are some people who may feel their life is so perfect and complete they do not need anything new or anyone else to be happy. Some may feel they are just too busy to have any more interactions with another human being. I, on the other hand, find myself rejuvenated meeting new people and discussing new ideas an